Junior Writer
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United States 🇺🇸

Lisa W V

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Bio

Lisa Wartenberg Vélez is a Colombian writer of fiction who split her childhood between Bogotá and South Florida. Their work has received creative and/or financial support from Bread Loaf Writers' Conference, Vermont Studio Center, Kenyon Workshops, Ucross Foundation, Tin House Workshop, and others. MFA: University of Houston (2023: Creative Writing; 2012: Theatre). Her fiction appears in Nimrod, Ghost Parachute, Michigan Quarterly Review, and elsewhere, is forthcoming in Cutleaf (May 2025) and the anthology Rural Writers of Color (ed. Deesha Philyaw), and is also anthologized in Best Debut Stories 2023 (Catapult) as a PEN / Dau Prize winner. She lives in Vermont with her family and enjoys reading, knitting, and yoga.

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As a Story Terrace writer, Lisa W V interviews customers and turns their life stories into books. Get to know our writer better by reading the autobiographical anecdote below!

The Queen of Make-Believe

I’d waited the entire last drag of spring for summer school to start. New country, new house. Disney audiobooks and public television had become a telescope into my new life. I craved the familiarity of a teacher, a schedule, and books.

At seven, I’d already been to Disney and its fiction announced itself loudly through hand-rendered illustrations. But Barney? Barney was different.

For the uninitiated, Barney & Friends was a live-action television series aired on PBS through 2010. Its titular character was an anthropomorphized tyrannosaurus rex who extolled the virtues of the imagination. His Gatorade-purple and highlighter-green exterior felt as real and as accessible as the blue stars on my shorts.

Barney and his friends-- which included other dinosaurs as well as human child actors -- bounced into the screen with a giggle and would begin their school day with a tune based on the “Yankee Doodle” nursery rhyme. My cousins had warned me that American life would be different. I wondered at the use of anthropomorphized dinosaurs as teachers, but who was I to question it? I barely knew English.

As the American children sang on the screen, I belted alongside them, “I love you, You love me.” Where there was carpet, I felt the grass of their idyllic playground between my toes.

The night before summer school it felt like the world was opening itself up to me. Like a derecho rolling through the South Florida halls and blowing open the doors. Would Min and I become best friends? I was becoming an American child.

That morning, I found my name in neat marker on a desk attached to a blue plastic chair and took a seat. Unlike Colegio Santa María, my private school in Bogotá, boys were allowed. But no adolescent girls rolled their eyes at us. No one wore chicken-yellow gingham uniforms. Everyone, it seemed, wore bedazzled jeans. Barney had prepared me for this.

A woman about my mother’s age grabbed a piece of chalk and wrote her name on the board. An opening act? I would allow it. But as the seats filled, I found no BJ, no Min, or Tina.

I raised my hand when the nice woman solicited questions but was not prepared for her response. I found myself bolting out, and to the playground. It sat empty. Imagination. Barney was right. I’d quickly find refuge there.  

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